《2025年天星教育金考卷一轮复习单元滚动双测卷英语》

阅读下面短文,从短文后的选项中选出可以填入空白处的最佳选项。选项中有两项为多余选项。
[2025湖北名校联盟二测]Wildlife documentaries are known for offering breathtaking images of animals in their natural habitats. You might be thinking that these shows offer a totally real portrayal (描绘) of these animals—an objective window into their lives as they hunt, rest and raise their young. 36 While the images we see are filmed on location, many of the sounds are recorded in a sound studio and added to the programs later by human foley artists(拟音师).
37 Usually, documentary filmmakers can film their subjects from a great distance, but they typically can’t get close enough to catch clear sounds without disturbing the animals. Wildlife documentaries also tend to require large crews. There will probably be background noises such as crew members chatting or walking around if sounds are recorded on location. 38 Foley artists will use a variety of tools to simulate(模拟) the sounds made by animals. And most of them will create the close - up sounds of animals chewing or yawning with their own mouths. These sounds are created as the artist watches the videos, making sure they perfectly match the actions they’re paired with. 39 Animal cries—which are far too complex to be simulated—will have to be taken from library recordings.
Watching foley artists working on wildlife projects gives me a thrill like the one we get when we see how a magic trick is done. 40 Sounds have the ability to affect how we understand a given species. The way certain animals are portrayed in popular media may affect support for conservation efforts.
A. But this isn’t quite the case.
B. There are some exceptions, though.
C. The foley process involves a large team.
D. Foley artists are creative and resourceful.
E. Admittedly, the significance of the technique goes further.
F. This is an unavoidable outcome of modern wildlife filmmaking.
G. And animals might make sounds of a frequency unable to record.

答案： 36.A 逻辑关系线索。根据上文“Wildlife documentaries are known for... raise their young”可知，野生动物纪录片以其展示动物在自然栖息地中令人惊叹的画面而闻名。你可能认为这些节目提供了这些动物的完全真实的描绘——一个观察它们狩猎、休息和抚养幼崽的客观窗口。根据下文“While the images... by human foley artists”可知，虽然我们看到的图像是在现场拍摄的，但许多声音是在录音室录制的，并由人类拟音师在后期添加到纪录片中。由此可知，虽然野生动物纪录片的图像在现场拍摄，但声音却不是这样。空处应与上文形成转折，引出下文内容，A项“但事实并非完全如此”符合语境。
37.F 逻辑关系和代词指代线索。根据第一段内容可知，虽然野生动物纪录片的图像在现场拍摄，但许多声音是在录音室录制的，并由拟音师在后期添加到纪录片中。结合下文的“Usually, documentary filmmakers... sounds are recorded on location”可知，一般情况下，纪录片制作人可以从很远的距离拍摄动物，但通常无法足够接近以捕捉清晰的声音而不打扰动物，而且如果在现场录制声音，可能会有工作人员聊天或走动等背景噪声。这是图像和声音不能同时录制的原因。F项“这是现代野生动物电影制作不可避免的结果”承上启下，符合语境，且This指的是野生动物纪录片的声音需要在录音室录制，并由拟音师在后期添加到纪录片中这件事。
38.G 逻辑关系线索。上文的“Usually, documentary filmmakers... sounds are recorded on location”解释了野生动物的声音通常需要在录音室录制的原因：纪录片制作人通常无法足够接近以捕捉清晰的声音而不打扰动物；现场录制时可能会有工作人员聊天或走动等背景噪声。G项“而且动物可能会发出无法记录的频率的声音”承接上文，继续说明原因，符合语境。
39.B 逻辑关系线索。根据上文“Foley artists will use a variety of tools... paired with”可知，拟音师会使用各种工具来模拟动物发出的声音，比如大多数拟音师会用他们自己的嘴巴创造动物咀嚼或打哈欠的特写声音。下文“Animal cries—which are far too complex to be simulated—will have to be taken from library recordings”指出有些动物的叫声过于复杂，无法模拟。B项“不过也有一些例外”表明有例外情况，承上启下，符合语境。
40.E 逻辑关系和词汇复现线索。根据上文的“Watching... gives me a thrill like the one we get when we see how a magic trick is done”可知，看拟音师在野生动物纪录片上的工作，就像看到魔术是如何变的一样，让作者感到兴奋。这是声音对作者个人的影响。下文“Sounds have the ability to affect how we understand a given species... affect support for conservation efforts”说明声音有能力影响我们对某一物种的理解，而且某些动物在大众媒体中的表现方式可能会影响对保护工作的支持。这是说明声音在更大范围的影响，故E项“诚然，这项技术的意义更为深远”承上启下，说明了拟音师的意义重大，符合语境。E项中的the technique是对“foley artists working on wildlife projects”的概括复现。